Posts Tagged ‘Zombie


Dance of the Dead (NOT the Masters of Horror Episode!!)

Little bit of a rip-off of Shaun of the Dead, but still nice.

Little bit of a rip-off of Shaun of the Dead, but still nice.

Dance of the Dead has the look and feel of a disastrous zombie flick.  It has a bunch of no name teenage looking actors and actresses.  A plot (Zombies rise from the dead on the night of the prom and high schoolers have to fight for their lives and their town) ripped from several other zombie movies.  A movie poster eerily similar to that of 2004’s amazing “zombedy” Shaun of the Dead.  And, on top of all this, a director with virtually no feature film directing experience.

But this, true believers (Yes, I just pulled a Stan Lee reference out of my ass.  You don’t like it?  Go read a DC comic then you pussy.  Yeah I know Batman is good, but other than that, DC sucks.) is why we watch movies, and THEN decide if they suck or not.  Or at least some of us do.

Dance of the Dead managed to do something that all good horror, and especially zombie flicks, HAVE to do.  Make the most out of the pieces you have.  If you look back in the legendary genesis of the zombie flick, you will quickly find out that the best of the bunch, even the ones done by famed directors like Romero and Fulci, were done on smaller budgets without the luxury of having big stars to bank on for success.  Dance does this wonderfully, making even the predictable and annoying characters seem likable.  And if they weren’t likable, then they at least had the presence of mind to kill them off early!

This all brings me to my first point.  The cast here, again full of people who’s biggest project to date seems to be Dance of the Dead itself, are all very competent.  The movie is exactly demanding, but it still has a lot of dialogue, and without people to spew those words out, however trite or meaningless, it’s difficult to make a movie work.  The saving grace seems to be the comedy within the conversations though.  Nothing is taken to seriously in Dance of the Dead, and that lightens the load for everyone involved.  It’s a feel good, fun time zombie flick, and the cast seem to reflect that with the youthful energy being the driving force.

Direction here is solid, but not in the least bit flashy or pretentious.  There some nifty use of heavy lighting and filters, the cornerstones of any 80’s “Return of the living Dead” style zombie flick, but other than that, everything’s played pretty straight forward, and I for one have no problem with that.  If you don’t feel comfortable as a director taking chances and being experimental, there’s no need to force it.  That “comfort” is actually a strength to the film, and I felt right at home with the direction, and thankfully nothing was ruined by the dreaded “shaky cam” or choosing shitty angles to shoot the action on.  Simply put, the camera work never gets in the way of the fun.

Gore and special effects are all good, but it’s most likely all stuff experienced zombie fans have seen before.  Doesn’t mean it isn’t highly entertaining, and some of the bullet wounds are particularly graphic.  There’s also a head split in half the long way, and a severed head “still alive” gag that is very cool.  Nothing here will have you howling or calling your friends to tell them “how awesome that kill just was”, but it’s all impressive none the less, and thankfully, almost totally free of any cgi.  Yay!  Here at the Midnight Showing we basically have one rule concerning our gore and special f/x, and that is “Fuck CGI!”

If you couldn’t tell by now, Dance of the Dead is a movie that has all the elements to become a cult classic.  Sure, that’s pretty cliche to say, but when a movie has it, it just has it.  I think the director has a pretty good handle on this zombie thing, and if he continues to interject the brand of humor in his future flicks, he should make some very interesting stuff.  Also, some of the actors and actress’s are surely going to be noticed because of this film.

If your looking for a light-hearted, “Shaun of the Dead” style zombie flick, and you can appreciate flicks that pay obvious homage to what’s come before it (Return of the Living Dead, Night of the Creeps), then you should get plenty of enjoyment out of Dance of the Dead.

If only my prom was overrun by zombies.


Sleazoid Express by Bill Landis and Michelle Clifford

Sleazoid Express by Bill Landis & Michelle Clifford

Sleazoid Express by Bill Landis & Michelle Clifford

With a sub-title like: A Mind Twisting Tour Through The Grindhouse Cinema Of Times Square!, how could I resist?

The book begins way back in the 60s where it goes in to great detail about the atmosphere in grindhouse cinemas and the danger that lurked in some of these hell holes. Initially this chapter seemed completely pointless, but reading on – you realise that you needed that chapter to give you the background of which cinema was where, who owned it and it’s reputation within the legendary 42nd Street.

Sleazoid Express moves chronologically through the exploitation movies being peddled. Filled with crackheads, thiefs and prostitutes/pimps 42nd Street certainly sounds sleazy! Beginning with the Olga series of movies (a pre-cursor to the Ilsa movies) it often gives a brief review (sometimes a lengthy review, if the film was decent) of the movie plot and, most times, even giving away the ending, so if you don’t want your plots spoiled, beware! But lets face it, how many exploitation movies have an in depth plot or twist ending?

The chapters are genre points within the exploitation time line, chapter titles such as: The Anco Does A Gendertwist and Blood Horror: Chopping ‘Em Up At The Rialto hint at the subjects (the Anco and Rialto being cinemas with Times Square). Many different types of film are spoken about in the book, everything from the early gore classics (Blood Feast) through to the zombie flicks, cannibal movies and even the influx of gorey westerns and wacky oriental fung-fu movies (Flying Guillotine).

Just shy of 300 pages the book also lists exploitation video companies who still sell many of the gems mentioned in the book. The index is excellent as lists actors, directors and film titles, so it’s easy to dive in to the book to find a fact. This is THE exploitation book to own, Nightmare USA is also excellent, but spends too much time reviewing, Sleazoid Express gives history, and life, to the home of exploitation cinema. If you want to know how it all started, this is the book you want.

Favourite fact gleaned from the book? The fact that Dyanne Thorne (Ilsa, She Wolf of the SS) is now an ordained minister!

SEE ALSO: Nightmare USA – The Untold Story of the Exploitation Independents.


Going to Pieces: The Rise and Fall of the Slasher Film

Much better than the dvd cover.  Simple and to the point. (he he)

With the horror in general seeing a major revival in the new millennium, horror fans have seen their fair share of documentaries on the subject pop up both on TV and on DVD.  Most are around to cash in on either the Halloween season, or plug their own horror related ventures by recapping all the movies and characters that came before it that it will ultimately rip ideas from.  Going to pieces isn’t some shameless ploy to get you to watch something else though.  What it is is a entertaining, informative and passionate look back at how we got to where we are in the slasher sub-category today, while simultaneously showing us a portion of the history of the horror genre as a whole as well.

It opens by introducing us to some of the humble beginnings of horror in the theater, and then rockets us to Psycho, shows us a bit from that time period (the 60’s) as a foundation for what’s to come.  It really picks up when they begin to discuss the immense success of Halloween, and really champions it as THE slasher movie to see, not only as a perfect example of everything a slasher can be, but as the ignition of societies relationship with killers in film.

The whole gangs here, from Nicotero, Savini, Carpenter, Cunningham, Craven, Winston, Rob Zombie, and more.  Familiar faces talk about their work and contributions to the genre, and talk about how and why they came upon the ideas that wound up shaping the face of horror forever.  The special effects guys run us through some of their favorite and more notable kills, and touch on why people seem to enjoy watching people getting killed in horrible ways.  Coming from the elders of not only the slasher set, but horror in general, this is somewhat of the gospel to us fan boys, and i suspect many of you out there will enjoy just hearing your heroes talk, let alone actually listening to exactly what they are saying.

They also go into the political and social controversy that plagued these films in the 80’s, and show clips of Siskel and Ebert claiming that the slasher film is anti-women, misogynistic, and so on and so forth.  Going to Pieces fights back however, standing up for our beloved serial killers by providing some nice commentary on the subject that isn’t just your typical “HEY…leave us alone” rhetoric.  It acknowledges the fact that horror films are the easiest to go after, and that many critics have made a name for themselves slamming them and standing up for morality.  Rob Zombie then chimes in with an interesting point.  If you were to show a prison full of criminals Disney movies non-stop, would they turn into good people?  I thought that was a fairly astute observation, and a convincing argument from someone very passionate about our beloved movies.

My major complaint is that in examining some better known movies, they reveal the twist endings to many of them.  So if you haven’t yet seen Prom Night, Sleepaway Camp, Friday the 13th, and some others, you may want to watch these first, as the whole surprise will be ruined and you’ll never get to experience the thrill of not seeing these fantastic finishes coming.

If you love the masked murderer sub-genre, this is a must see.  Rarely do you see this much care and accuracy in a documentary, and while there are some mistakes, most notably that Halloween wasn’t truly the FIRST slasher the American audience had been subjected to as many predated it, it still comes off as an in-depth, and more importantly, highly entertaining look into what has been, what is, and what will be in one of the most extreme types of scary flicks around.


Be prepared to die.  A lot.

Be prepared to die. A lot.

I can’t take credit for finding this, that honor goes to Arrow in the Head news, but I will share it.

It’s a interactive zombie short films, where you have to make decisions every minute or so about what to do in order to stay alive.

It’s phenomenal fun, if only for a short while, and it shows an incredible amount of creative and cleverness.

Give it a try.